Gig Snaps + Fireworks

I would like to tell you how hungover I am, but cannot, for I am only a little partied out.

🙂

And getting over it with coffee bean from Nicaragua.

However, if I weren’t fighting “Dunlap’s Disease” (as in, “honey, my belly done lapped over my belt!”), this would be fine morning hour for a cold beer.

Gig Snaps –> “If I’m to perform — guitarist, vocalist, singer/songwriter — I may bring a camera; if I bring a camera. what I shoot around the gig goes here” (http://www.flickr.com/photos/23673974@N04/collections/72157626640831218/).

So it goes, but here I may remove the “I may bring a camera” part, for the high-end point-and-shoot Lumix Lx5 fairly assures I will have at least that camera with me.   

Greg Trumpower picking a tune out in the wilting heat of the late Fourth of July afternoon, 2012, Hagerstown, Maryland.

Greg Trumpower has been knockin’ at rockabilly and Americana in music for decades.  Retired from writing mortgages for Wells Fargo, he’s had more time for house, garden, and music (http://www.reverbnation.com/gregtrumpower), and every Fourth of July, he’s hosted a Home Concert and Block Party, now fairly well attended and with a terrific locaton for watching the “North End” Hagerstown Fireworks.

Dave Violet (L) and Greg Trumpower (R) pick one.

Greg’s friend Dave Violet has a fine ear and plays well, but as others of our cohort do between age, economy, and fate, he’s been struggling with health and house and here has borrowed Greg’s old Gibson, a little hard to play, stiff action, so Dave says.  Pay him no mind on that — he’s very smooth and jazzes it up as if the old flat top had been built and setup just for him.

Finale – Fourth of July — Hagerstown, Maryland 2012.

Not bad for a hand-held point-and-shoot!

Well, it’s colorful. 

Technically, hand shake and fire in motion may have conspired for effect. 

It has been very cool working in three arts and along multiple parallel career tracks, but when one gets “inside” the less visible machinery and methods of an avenue of expression, it becomes very difficult managing (alone) each art (or research) system: I’d rather have recorded the fireworks with the D2x on a tripod, but . . . outside . . . public party . . . in town . . . Mustang parked a block away . . . chair and gig bag (day travel base camp) slung over my shoulder and guitar case in hand — one system per mission, please.

Of course, as all in production now — film, music, photography — locations come with their own package of encouragements by way of amenity, convenience, and security, so perhaps I will find my way to another house party but out in the countryside with ample parking and other music-supporting and photography-encouraging features.

We shall see!

In the meantime, enjoy my memory of my town’s fireworks 2012.

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Antietam Set

Bloody Lane, Antietam National Battlefield Park. Also known as the “Sunken Road”, along its length a scene of remarkable violence and carnage. The monument is that of the 132nd Pennsylvania Volulnteer Infantry.

Antietam Set – 12 Prints – 13×19 inches

With the “Antietam Set”, I’ve set  on my own table a very limited edition project — a dozen orders and I will be done.

Specification: HP B9180 with the Vivera inks on InkPress Fine Art Matte.  If the HP should not survive the work, then I’ll move on to an Epson 3880 and the Ultrachrome K3 (with “Vivid Magenta”) inks.

The slide show to which I’ve linked has an e-mail link in its upper right corner.

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Environmental Portraits

Hagerstown, Maryland traditional country music player and crooner Mike Cunningham.

Mike plays his electric possibly more than his acoustic and had meant for our session to produce a picture of grandpa for the kids — all grown up — for Christmas, but they came out so well, the impact was so good, i.e., his delight so effusive, I’ll be surprised if the prints are not already in frames and hanging on walls.

A horizontal portrait for Mike Cunningham.

Every modern life inhabits multiple environments and roles, but one or two in the overall ecology in living develop and most authentically express the soul of the person.  With that notion in mind, family snaps may hold diverse fragments from a life — we see each other but a little bit at a time and superficially — and we’re lucky to find among snapshots even one to a few that speak for the subject.

As artists by nature construct and slip into the looks by which they would be known and forever suspended lovingly in memory, Mike has been doing his part for a while. 

We had a very good rapport. 

He took direction well.  

Between the two of us, I think we got him.

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Production Notes

Field Equipage: Nikon D2x; Nikkor zoom 16-85mm and Nikkor primes 85mm and 105mm (f/2.5 Manual Focus);  Nikon L37C filters; Billingham 335 — the top flap makes a good ground cloth for kneeling (where protection or dry knees may be appreciated) — and Gitzo carbon fiber tripod with an Acratech head and Arca-Swiss quick release plates.

Computing: Adobe Lightroom 3.6.

Printing: HP B9180 with the archival (unrivaled for longevity) Vivera ink  set on InkPress Luster, 11×14 borderless

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Sunset to Dusk, South Central Pennsylvania

Others may have known this for a while, but I have learned it just today: I may post here from my Flickr (photo-sharing) account. 🙂 Wow. So above: a photograph taken at dusk from my most recent road trip, a tour with my friend “Dean” driving in the region west of Harrisburg, Pennsylvania. What we did, after a while, was find a two-lane black top stretching westward toward mountains and drove it until it turned north to follow the valley–and then drove that some more.

Click here to view additional photographs from the series..

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