Just add text.
Looking back, commercial (commercial-like) photography — all of this was and remains demonstration — doesn’t get more simple. The photographer brings his bag and tripod; the model brings herself, change of clothes, makeup: done. If the model has a friend, add a bounce card.
It’s easy to complicate a “shoot” with gear — the studio has been always portable: Vagabond field battery, light stands and lamps, even the changing room that comes in a bag — a one-person tent — but especially in public open space, the more junk hauled along, the greater the hassle.
I want to do this stuff again!
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Editing Screen: LaCie 320 1600×1200
Editing Software: Adobe Lightroom 3.6; Adobe Photoshop CS4; “onOne Presets” Volumes 1 to 3.
Image Standards: Nikon RAW; Adobe DNG; Edited Final: TIFF
Image Sizing: Facebook and Flickr: 900 Vertical; 1600 Horizontal. Note: for a short period, I was uploading full-sized images, just beneath 6,000-pixels-width, to Flickr, but I’ve settled on the standard noted for the web. What this means for the viewer is that when the option to see the “original” or “full-sized” image on screen, it’s really about 1/3 the image size available for the file of interest.
One Chance, One Desktop, One Photographer
While my XP-era technology has aged multiple computing generations, it has within the nostalgic traditions of photography — the field is famous for its leading personalities taking great leaps backwards (to wet plates, wooden boxes, FILM, for pete’s sake) to pursue their promotion of the look of having recorded what is to become shared visual memory — rather matured.
I like it.
It and I have already fallen behind.
I don’t care.
The industry has thundered on to the next level — and doubtless has already in hand the level after that — and I’m just hanging out with a couple of old Nikons, digital and film.
Walkabout: Nikon D200, Nikkor 16-85mm VRII, basic filters plus graduated neutral density card (always in the bag), and a carbon fiber tripod.
Portraiture: Nikon D2x, Nikkor manual 105mm f/2.5.
I don’t keep track (as I perhaps should), but the Big Landscape is why I carry the graduated neutral density card.
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I’ve been winnowing multiple pages from old film-based “photoshoots” down to single slide file pages, scanning two to a few, and doing so roughly, and posting the same here and Flickr (for a while).
Three observations (and I have been here before):
— The women disappear into new lives with new names. “Heidi Blair” will have an easier time finding the photographer from that long ago autumn day than the photographer (and viewers) will have finding her;
— I see had a “commercial look” back then and doubtless would have enjoyed shooting catalogs, which ambition, of course, compelled the “time-for-prints” shooting.
— Despite the wonders of old “Digital ICE”, Nikon’s dust-and-scratch removing algorithm (coupled with Hamrick’s VueScan software), film remains a little less convenient a medium than digital. Both of the above were worked using Adobe’s Lightroom 3 and then ported to PhotoShop to clone out the rough edges of the slides.
–Lessons learned since way back then: watch the hands! Also, leave some margin for cropping down to the subject (and that in addition to what the viewfinder leaves out of the presentation to the photographer).
–One may do a lot without “fill flash”, but in the most sun struck moments, we need either it or scrims. Related to that: the larger the production — the more one has to carry! — the less the wandering about alleys, church fronts, gardens, and side streets.
Perhaps I am reorienting, taking a break from politics online and reading offline, and recalling what all that stuff in the closet — I get in there and say to myself, “oh yeah, I remember this gadget!” — was about. Everything has been kept in good condition, including the battery pack and the main camera, a now old D2x, but my inclination, whatever opportunity comes next, is to keep things very simple for a start: one really may do quite a bit with camera, lens, flash, and reflector.
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